Separations / Dome

Bosmat Nossan
Bosmat Nossan (1984) is a choreographer and dancer. Her work focuses on an attraction to the unnatural, the exaggerated, and the stylized, drawing inspiration from science fiction and comics. A former dancer with the Batsheva Dance Company and the Inbal Pinto & Avshalom Pollak Dance Company, she collaborates with local and international artists on diverse projects, both as a performer and as a creator. She is currently the director of teacher training at Gaga and lectures at the School of Visual Theater in Jerusalem. Her works are presented on major stages and festivals in Israel and worldwide.

Roni Chadash
Roni Chadash (1990) is an independent choreographer, performer and teacher, based in Tel-Aviv, Israel.
In her movement research, Roni dissects the body into distinct, independently operating joints. Her continuous quest revolves around uncovering instinctive, emotional, and unfiltered sources for movement.
Roni’s Creations are marked by her daring attempt to deconstruct not only the body, but also the very essence of movement, visual representations, the dynamic interplay between the audience and the performers, and the act of the show itself. The way she deals with the body peels it from history, stereotypes and dictated labeling and confronts it with a naked present.
Roni’s works received numerous awards for their originality, in Israel as well as abroad, including Israel Ministry of Culture Award for Young Choreographers (2024, 2021, 2018) and ‘Shades in Dance’ Award (2015).

• Performed by the dancers of the Batsheva Ensemble season 2025-2026
  Zoe Bayliss Nagar, Amit Ben-Yesh, Zachary Burrows, Jesse Callaert, DanDan Cohen, Shira Kestenboum, Nouhoum Koita, Larissa Leung, Ori Manor, Maya Marom, Roee Mazurik, Celia Merai, Naama Morad, Chase Peterson, Noga Sneh, Toam Suissa.
  Apprentices: Eyal Elcharar, Lin Okubo, Kacper Lajewski.
  

• Separations / Roni Chadash

• Rehearsal direction

  Tal Adler, Doron Raz Avraham

• Dramaturgy

  Maya Brinner

• External eyes for the process

  Romi Lahav

• Lighting and stage design

  Ofer Laufer

• Costume design

  Ahinoam Chai

• Costumes Construction Assistant

  Tomer Halperin

• Music

  "Widerstehe doch der sunde BWV 54" by Bach performed by Vikingur Olafsson, "Phantom Thread I" by Jonny Greenwood, "Pavane pour une infante deefunnte m.19" by Maurice Ravel performed by Hayato Sumino, "Brandenburg Concerto No 4 in G Major BWV 1049: I.ALLEGRO" by Bach performed by Ensemble 1700 & Dorothee Oberlinger.

• Dome / Bosmat Nossan

• Dramaturgy

  Ido Feder

• Rehearsal Directors

  Niv Marinberg and Doron Raz

• Acrobatic Research

  Ofir Yudilevitch

• Parkour Consultant

  Beni Yefremov

• Set Design

  Ofer Laufer and Bosmat Nossan

• Set Construction

  Gadi Tzahor

• Lighting Design

  Ofer Laufer

• Original Music and Sound Design

  Matan Daskal

• Costume Design

  Kobi Suissa

• Royu Behar

  Costumes and Makeup

• Alex Zeltzer

  Pattern Cutting Assistance

• Costume Construction Assistant

  Tomer Halperin

• Music

  “Come Out” by Steve Reich | “Bizarre Love Triangle” by New Order | “Arrival in New York” by Joe Zawinul | “This Bitter Earth / On the Nature of Daylight” by Clyde Otis and Max Richter, performed by Dinah Washington, Louisa Fuller, Natalia Bonner, John Metcalfe, Philip Sheppard, Chris Worsey | “Trail” by Matan Daskal | “xpress” by Matan Daskal | “4X4” by Ori Comay, performed by Dudu Faruk | “Bulls on Parade” by Rage Against the Machine | “Winds 001” by Matan Daskal and Eden Giat, performed by Castle in Time Orchestra | “Tribus” by Travis Lake | “Drone Bomb Me” by Anohni and Ross Birchard | “Freedom” by Jenny Hval