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BatSheva

 
 

Season 2014-15

The Hole by Ohad Naharin

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The Hole by Ohad Naharin

The Hole, Ohad Naharin's latest creation for Batsheva was created for the spacious Varda Studio in collaboration with scenery and stage designer Zohar Shoef. Additional collaborators are lighting designer Bambi (Avi Yona Bueno), and costume designer Ariel Cohen. The soundtrack is edited and designed by Maxim Waratt.

 

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Decadance by Ohad Naharin

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Decadance by Ohad Naharin

“Naharin's choreography is so rich and was danced by his company with such raw energy that one left knowing they had witnessed something spectacular”.
(Charelston Post and Courier Reviewer, May 27, 2007)

'Decadance' brings together memorable and favorite segments of Ohad Naharin's creations from the last 20 years, is constantly updated and offers a fresh look at choreographic materials performed by Batsheva. 

 

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  Decal'e by Ohad Naharin

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Decal'e by Ohad Naharin

"Breathtaking event"  (HaBama)

A wonderful opportunity to encounter the many different faces of Naharin and Batsheva in a performance suited for the whole family. Decal'e is based on Deca Dance, composed of memorable and loved excerpts from works by Ohad Naharin.

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Sadeh21 by Ohad Naharin in collaboration with Batsheva dancers

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Sadeh21 by Ohad Naharin in collaboration with Batsheva dancers

"Liberation of feelings… electrifying bodies… tuned like a fairytale orchestra, remarkable precision - and it's as beautiful as a dream" (Ynet, May 27, 2011).

Since its premiere at the Israel Festival, Jerusalem in 2011, 'Sadeh21' has been toured extensively around the world and been praised by both audiences and critics alike. The piece, created in collaboration with Batsheva dancers returns this season and will be presented in Tel Aviv

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Kamuyot by Ohad Naharin

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Kamuyot by Ohad Naharin

"Both moving and memorable"
(New York Times, March 5, 2008)

Ohad Naharin's 'Kamuyot' is immediate and toys interactively with the conventional relationship between audience and performers. It is intense, funny, poignant, inventive and powerful; unhindered by the barrier of words, it inspires dialogue and expression in the first universal language - movement and dance.

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BILL by Sharon Eyal

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BILL by Sharon Eyal

"BILL is not just another well choreographed piece, but rather a milestone, a significant and wondrous creation by a skilled and mature artist who is not afraid of complexity" (Ynet, May 13, 2010)

Sharon Eyal's piece created in 2010 is an exciting stage event, created for the entire company, in which Eyal continues to explore the tension between the individual and cloned identities.
Eyal's work bears a clear personal signature - rich, demanding and powerful movement language accompanied by a soundtrack that always serves as a dominant force in her work.

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